Winter, Spring, Summer, or Fall

I have been accused of being difficult.

Control your shock, please.  I’m speaking of something specific.  Both my husband and mother have told me that purchasing gifts for me is fraught, since I tend to buy the things I want for myself, with some alacrity.

So it was with great forbearance that I put James Taylor’s “One Man Band” into my Amazon wishlist some time before Christmas, and waited.

And waited.

No dice.

So, what’s a girl who has been accused of a behavior to do, but repeat it?  I ordered it earlier this week, and it arrived.  We’ve listened to the CD, and now I’m watching the DVD portion of our show.  And I can’t help but be reminded of my first concert.   Which is a bit of a story in and of itself.

I was about 12, and my aunt, my dad’s sister Judith, informed me that it was time I saw some live music.  She told me that she was going to take me to a concert as a gift.   She also made it clear that this was a rite of passage – one that was not to be avoided or delayed.  She handed me a Boston Globe advertisement for “Concerts on the [Boston] Common” and told me to choose a concert.  No pressure.

Right.

The rite of passage, the solemnity with which she intoned that It Was Time I Did This: frankly, this scared the ever-living crap out of me.  My incredibly sheltered, small-town, 12-year-old mind was possibly imagining opium dens – if she had a single clue about what opium dens might consist of (hint: not a single iota of an idea).

But James Taylor was on that list.  The idea that James Taylor might exist outside our family’s stereo’s speakers (I speak broadly here – I’m not aware of a member of my dad’s side of the family who is not a fan) was a little alarming, but the opium dens receded a bit (not entirely – I was aware that “A Junkie’s Lament” was not exactly about monkeys and snickers bars, but I had no more idea about the mechanics of heroin addiction than I did about the circuitry of an ENIAC).  I told Jude that JT it was.

It was five of us who went that clear summer night – Judith, her husband Chris, my uncle Bob, and his wife Kate.  Four people who were then  younger I am now, ostensibly escorting a 12-year-old to her first concert (Jude is 11 years older than I am, more of an age to be a cousin than an aunt.  Bob is closer in age to my dad.  God love ’em for putting up with me).

I was still terrified.  Excited, but terrified.

As we went through the entry, Chris noted the whiff of pot smoke – did I mention I was scared?  Yeah.  We found our seats as the opening act (Karla Bonoff) finished her current hit (the forgettable “Personally,” which Judith excoriated).

I sat, nervous as a cat.  I was uncertain, tense, thrilled.  And then JT came on.  And I began to have some clue about why concerts are such compelling things.  Seeing someone live has an energy that is impossible to replicate, but with JT there are those “How did he do that?” moments – tricks of timing and skill that are akin to stage magic.  I’ve seen him several times since, and he always seems to have some variety of that trick in his shows: something that shows off his skill with timing, but in a low-key, seemingly casual manner.

In the case of this show back in the early 80’s, it was him singing “You’re Just In Love (I Wonder Why)” as a duet with a reel-to-reel tape deck, with the deck providing pithy, spoken psychoanalysis to the psychosis provided by the song (e.g. “I smell blossoms and the trees are bare…”  “Ah.  Olfactory hallucination…”).  The trick doesn’t seem too wonderful, unless you’ve had to try to time something live to match something recorded.  Not so easy.

As evidenced by this latest DVD, he’s still at it, but with massively geared drum mechanisms and a video containing a subset of the Tanglewood Festival Choir.  I’m no longer afraid of opium dens, but a JT concert still has the ability to give me that uncertain, nervous, thrilled feeling.

Thanks, James.

Strange Conversation

My friend Chris and I have an ongoing conversation about music – we introduce one another to new music and discuss the merits of various artists and albums.  We trade off buying concert tickets for mutually beloved artists as well as introductions to new ones.  John and I brought him to see Jonatha Brooke, he roped us in to see Chris Smither (as someone who owns several versions of “Love me Like a Man,” I was ashamed to admit I knew little of the artist who wrote it).  I have pretty eclectic tastes and a fairly wide music collection by most people’s standards, but Chris blows me out of the water, owning thousands of CDs.  It’s always a coup for me when I can introduce him to someone new.

So it was a bit trippy this morning to come in to work and find Kris Delmhorst’s “Strange Conversation” sitting on my desk.  I sent Chris an e-mail:

Are you lending or returning this to me?  I can’t remember talking about this to you or lending it to you, but I also can’t remember if I own this on CD or just have a downloaded copy from iTunes…

He was crushed to find out I already knew about her.  On the other hand, I thought it was pretty cool to finally have a somewhat obscure artist both of us had heard of.

More from the rerun file

I’ve had little creativity since the sinusy stuff, so here’s another one from the archives. It originally ran on April 21, 2004 and was titled “I Still Police Commas.”

——————————————

In my third year of law school, I was required to execute a major project. This “thesis” we were required to turn in halfway through our third and final year was also known as the “Independent Writing Project” or IWP. We called it the “I-whip,” a beleaguered nod to the fact that it was a killer of a project. Professor David Gregory was my advisor for this project. “Advisor” should probably be relabeled “tutor.” The advisor’s role is to guide, discuss and help with the project as much or as little as they deem useful or necessary. Finally, they are to grade it.

Professor David Gregory was the advisor you would choose if you had either serious chutzpah or serious masochism issues. Or, in my case, I chose him because I was already working for him as a researcher and had come to know him the tiniest bit. His intellect was deep, his learning was broad, and his wit left none unscathed. He was especially fond of telling a story at the beginning of class, pausing for dramatic effect as he cast his light blue gaze over the class, and intoning in his rough-voiced New England drawl, “Now I ask you…” That seemingly simple question meant he was about to seriously rewire your world-view. He did it so often that we got used to the feeling of having the world dumped upside down and shaken like a snow globe. Some of us even got to liking it. I don’t remember anyone ever getting the better of him in discussion or argument. But when he sparred verbally with you, you at least thought he might believe you were worthy of the effort.

The time-honored ritual of IWP process included turning in drafts as you went along. In due course, I turned in my first seven pages – the introduction – and got back seven pages of red ink.

Most of these were deleted commas.

Before I went to law school I thought I could write. My first year writing class taught me that yes, maybe I could write, but I couldn’t write like a lawyer yet. I had a lot to learn about building an argument – crafting phrases that carefully built up your own position while refuting the other side’s strongest points until finally there was nothing to do but agree with the writer. Legal writing is a lot like a geometric proof that way. Each step must be explained. Nothing can be left to the reader’s assumption. Leave out a step and you’re finished.

By my third year, I had the structure of legal writing down pat. I wasn’t going to leave out an “if” on my way to the “therefore.” I knew the rules and had become confident of my ability to play the game. Occasionally, I did worry that I was losing whatever flair I might have possessed for writing fun, stylish prose. I hadn’t counted on losing my grip on punctuation. I remember getting that paper back, flipping through it, and feeling a terrible, sinking feeling. Professor Gregory didn’t address a single premise that I had laid out in that introduction. He didn’t challenge my pre-stated conclusions and he didn’t approve of them. He hadn’t engaged me as a lawyer or lawyer-to-be. Instead, he had come at me like an avenging angel from Strunk’s bible and cut me low.

I brought the paper home and stared at it for a while, blurry eyed, not seeing. Finally, knowing I had to get stuck in and get on with it, I started to read what I had written, or to read what I could behind the thicket of red circles and deletions. And I realized something. Somewhere along the line, in a serious-minded attempt to insure that each thought received attention, I had started to carve up my prose with commas. I am a rapid reader. Perhaps I was trying to tell the reader, “Please slow down.” At any rate, the Professor was right. My prose was littered with fidgeting, distracting, unnecessary punctuation.

Over the next few months I handed in other drafts to Professor Gregory. He never handed another one back. They disappeared into the shelves and piles that made his office into a dark labyrinth where the student picked her way through, off balance and unready for the Minotaur with twinkling blue eyes and smoker’s voice. We didn’t discuss the project again until I asked for an extension, which was granted. In retrospect, considering I had chosen this particular project because I was already researching the subject for the Professor, that was kind of him. At long last, after a long night of paging through a near-final draft with my own red pen in hand, I printed off and handed in the completed project. I had worked on it for so long, I had no idea if it was the best work I had ever done or if it was inferior kindling.  Having no outside feedback, I didn’t have so much as a string in the dark to follow towards the light.

Having slid the paper into the Professor’s mailbox, I then commenced about two weeks’ worth of evasive action. I had a class with the Professor, so I came into the room just before class began and bolted the moment it was over. I didn’t walk past his office. Having cast the die, I was afraid of how it would fall. Mostly, I didn’t want to disappoint the Professor. He had been kind to me in his gruff, elusive way. He seemed to think I had potential. I hated to prove him wrong.

He caught me one day. It was inevitable. I was waiting for a friend, and suddenly he was there. I froze like a frightened rabbit. I didn’t hear his words as he spoke, and the extended hand was incomprehensible to me. Pulling what he had said from my short term memory I realized he had said, “Congratulations on an excellent paper.” I took his hand dumbly, and he shook it solemnly.

It was one of the two A grades I ever got in law school.

Cute – multiplied

Still not 100% in the old “healthy” column, but getting back a bit. I do, however, have some cute photos of my friends Miklos’ and Michelle’s first-born (second-born is due next month). Martin was terrifically intrigued by all our critters, though he was leery of Tosh at first.  He spread toddler cheer all around the place for a very pleasant evening (yes, he’s only almost three, though he looks about five).

He angled quite successfully for the orange creamsicle cat-fish:
Martin, fishing for the elusive Milo

Got a consultation from Dr. Melanie on the best way to snag the critter:
Mel, consulting on cat-fishing

But this one has to be my favorite – you could photoshop them onto the end of a pier and it would look like they’re fishing together:
Gone fishin'

Milo wasn’t the only beneficiary of having a kid around the place. Tosh did his nice, patient puppy routine while Martin learned how to give a dog a cookie:
Giggling ensued

And was rewarded by a big game of tug (Martin had clearly gotten over his worries that the dog would eat him by this point):
Martin and Miklos - playing with Mac

Lest you think the humans didn’t get to have some good kid-fun too, let me dispel that notion. One of the many examples of Martin playing with the grownups, here with Yvonne:
Playing with Yvonne

That’s all for now.  As much as I’d like to crawl back into bed, I must head off to work.  ::sigh::

Ehrm… Stuff.

Hi. I’m back. I was away for about a week (last post was dateline: San Francisco, even though I didn’t mention that).

In my travels, I seem to have picked up a very small gremlin who is industriously smashing my sinuses with a brick.  Also, I got home last night – no, this morning – at about 1:30.  So, that’s fun.  I am home today, feeling achy and low.

Possibly because I am achy and low, I am loving this, in that “Oh, how can I be cynical while there is still hope in the world like this?” sort of way. (Joss himself loves it too, so I am trusting that my sinus-bashing gremlin hasn’t taken a couple of whacks at whatever passes for the taste center in my brain as well).

Irreverent before she even knows what that means

My friend Marie’s six-and-a-half-year-old, facing a window display containing a set of china figurines which depicted the Last Supper:

“Is that the God family?”

For my next unnatural act…

…I shall hit a rather arbitrary yet significant milestone. The mile-ometer on my iPod says that I have run/walked 99.27 miles since getting the thing in late August (1st run on August 26, 2007). Dang, but I do love that little gadget. Data is good.

So early in 2008, possibly the day after tomorrow, I shall have exceeded 100 miles.

Oh, and Lance Armstrong told me I burned a “significant” amount of calories with today’s run. Considering his fitness level, I suspect sarcasm, but I’m trying to take it well.

Happy New Year, all.

I don’t do resolutions

But recent discussion with friends has shown me how much I’ve fallen away from some things I used to enjoy. Namely, creative stuff. Yes, I do this, and I twiddle with sticks and string and come up with (mostly)wearable stuff. But once upon a time I used to fiddle with watercolors and other fine art stuff.

So, today I bought this

Supplies

And looked at this

Inspiration

And made this

Art.  (Sorta)

If I hear “Well, if it keeps us safe…” in a so-called security line One. More. Time.

In the end, IÂ’m not sure which is more troubling, the inanity of the existing regulations, or the average AmericanÂ’s acceptance of them and willingness to be humiliated. These wasteful and tedious protocols have solidified into what appears to be indefinite policy, with little or no opposition. There ought to be a tide of protest rising up against this mania. Where is it? At its loudest, the voice of the traveling public is one of grumbled resignation.

Amen.

(Yes, I’ve been more or less off the grid. Back in a more organized way soon.)

“FIVE GOLD RINGS!”

Yeah, it’s late for posting video of Christmas songs, but this is still very funny in that collegiate-clever a capella group kind of way.